3432 Caniff St.
Hamtramck, MI, 48212
Hamtramck, MI, 48212
West Land
,
First
Edition
Edition
of 750
2019
Hardcover
Sewn
binding
88
Pages
10
"
x
8.5
"
$ 50
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Fair: A worn book that has complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted).The binding and jacket (if any) may show significant wear. All defects should be noted.
New: New directly from publisher or artist.
As New: The book is in pristine, original condition as when published. This grade may apply to older books that have been carefully stored, never shelved, thumbed, or opened.
Fine: A Fine book is nearly As New in condition but without being crisp. The book may have been opened and read, but shows no defects to the book, jacket, or pages.
Near Fine: A book approaching Fine (or As New) but with a couple of very minor defects or faults, which must be noted by the seller
Very Good: A book showing small signs of wear but no tears on either binding or paper. The book maintains its structural integrity, and any defects must be noted by the seller.
Good: Describes a book with average wear while maintaining complete text pages. The book is intact and readable, but shows signs of use. Any defects must be noted by the seller.
Fair: A worn book that has complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted).The binding and jacket (if any) may show significant wear. All defects should be noted.
French photographer Simon Nicoloso’s exploration of the vernacular landscapes of American West. This 88-page hardcover monograph measures 10.25 x 8.5″ (26×21.6 cm) and features 77 plates, a foil stamped cover, and artist statements in English and French.
Growing up high in the French Alps, Simon became fascinated by the American West, with its vast open spaces and seemingly endless horizon. Drawing on his experience as an architect, his images construct ordered spaces from the diverse elements that make up the built environment. Here the romanic archetypes of the West give way to a banal, but timeless reality, as he examines the beauty of the insignificant, in the shadow of the picturesque.
