3432 Caniff St.
Hamtramck, MI, 48212
Hamtramck, MI, 48212
Between Screenings
,
Limited
Edition
Edition
of 300
2025
Softcover
Perfect
binding
Pages
7
"
x
4.75
"
$ 46
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New: New directly from publisher or artist.
As New: The book is in pristine, original condition as when published. This grade may apply to older books that have been carefully stored, never shelved, thumbed, or opened.
Fine: A Fine book is nearly As New in condition but without being crisp. The book may have been opened and read, but shows no defects to the book, jacket, or pages.
Near Fine: A book approaching Fine (or As New) but with a couple of very minor defects or faults, which must be noted by the seller
Very Good: A book showing small signs of wear but no tears on either binding or paper. The book maintains its structural integrity, and any defects must be noted by the seller.
Good: Describes a book with average wear while maintaining complete text pages. The book is intact and readable, but shows signs of use. Any defects must be noted by the seller.
Fair: A worn book that has complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted).The binding and jacket (if any) may show significant wear. All defects should be noted.
Between Screenings includes video works created by Taiwanese artist Yi-chi Lin between 2009 and 2020. We can see that Lin’s artistic practice centers around several subject matters, ranging from the marginalized realm of military dependents' villages in relation to the historical contexts to the migration experience in terms of diasporas in East Asia.
The artist excavates her own life events and documentation of her family’s history for further investigation, and then deconstructs and transforms memories, dreams, and oral legends into narrative texts. Through Lin’s mastery of delicately bringing moving images and installation together, the style of her image-based creation shows an enchanting charm. It aims to explore Lin’s art universe in depth by dissecting the thinking behind each inspiring moment and by presenting a detailed analysis of her works. Critical writings on observations of her artistic trajectory by scholars are collected, as well as interviews between Lin and other professionals—both researchers and creative practitioners—in fields such as cinema, theatre, literature, and art history.
Conceptually inspired by a visual experiment, this book attempts to fashion time-based video works onto the two-dimensional pages of a printed publication. It can be seen as durational contents being played or screened as readers flip through the pages, which, in a sense, allows video works to wander off and exist outside the screen. “Between Screenings,” then, is no longer a term confined in a place for screenings to happen. It is further a type of practice as a medium for expanded cinema.
