3432 Caniff St.
Hamtramck, MI, 48212
Hamtramck, MI, 48212
Aisha
,
Second
Edition
Edition
2025
Softcover
Perfect
binding
392
Pages
7
"
x
9.25
"
$ 82
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New: New directly from publisher or artist.
As New: The book is in pristine, original condition as when published. This grade may apply to older books that have been carefully stored, never shelved, thumbed, or opened.
Fine: A Fine book is nearly As New in condition but without being crisp. The book may have been opened and read, but shows no defects to the book, jacket, or pages.
Near Fine: A book approaching Fine (or As New) but with a couple of very minor defects or faults, which must be noted by the seller
Very Good: A book showing small signs of wear but no tears on either binding or paper. The book maintains its structural integrity, and any defects must be noted by the seller.
Good: Describes a book with average wear while maintaining complete text pages. The book is intact and readable, but shows signs of use. Any defects must be noted by the seller.
Fair: A worn book that has complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted).The binding and jacket (if any) may show significant wear. All defects should be noted.
Aisha is Yemeni Egyptian American photographer and filmmaker Yumna Al-Arashi’s first artist’s book. This powerful, delicate publication, inspired by Al-Arashi’s great-grandmother, Aisha, is an homage to the lineage of women that she descends from; women of the multidimensional and many-layered landscapes of the MENA region.
Searching for an understanding of the tattoos that graced her great-grandmother’s body, Al-Arashi embraces the complexities of a symbolic matriarchal tradition. Unable to visit one of her places of origin, the war-stricken Yemen, Yumna traveled through Northern Africa meeting and photographing a diverse group of women belonging more or less to the same generation: all standing, sitting, looking, moving and laughing with assuredness and joy. By refusing the violence of selection and definition surrounding women’s practices, Al-Arashi publishes every single photograph from her journey in this 392 page monograph, moving the work into an ethereal cinematic celebration.
Al-Arashi’s images are gentle yet strong in composition, conscientiously connecting the woman to the land surrounding her and vice versa; they are incredibly rich in detail and color; and they are intimate, beautifully defiant and full of community and alliance. Aisha also includes Al-Arashi’s writing and poetry in which she reflects on memories of her great-grandmother and the scent of oudh “that left a trail of magic wherever she floated in that home.” In her genre-stretching texts, Al-Arashi also speaks on colonial archives, intergenerational storytelling and on the complexities of transnational female identity in patriarchal, capitalist, and imperialist societies at-large.
